The Odyssey and The Metamorphoses

For the Greeks and Romans, homers Epic, The Odyssey and Ovids Metamorphoses ar much more than adept entertaining tales closely theologys, mortals, monsters and etc. The tales also served as a cultural trope from which every role and descent quite a little be defined. with the Odyssey the reader, old or young, can learn of the essence(p) themes about what was considered normal in those Mediterranean cultures. Wo workforce play vital roles in these two narratives, mortal women and idols alike. In twain Epics, women and the effects that they had on the lives of the others around them, especially men were great, exclusively their roles ar so small that its nasty to catch just how important women like Penelope, Hera (Juno) and Athena unfeignedly are. I plan to equality and contrast these two whole kit of literature and the women that reside within their pages.\nThroughout The Odyssey there is a limited presentation of women. Whether consideration girls, deities, queen s, or Gods, they are mostly all assign to the narrow role of mothers, seductresses, or some combination of both. Mothers are seen as the givers of pity and rue rather than true supporters of their sons and maintains in terms of military or personal quests. In most instances depicting mother figures in The Odyssey the women are in occupy of support and guidance as they are all but weak, fragile, and unable without the steady lead of their male counterpart to luff them. Women appear to be missed and inconsolable if unable to elevation their husbands and sons, as in the look of poor Penelope. Penelope mourns her upset husband, seemingly without noticing the attentions of the suitors. At wholeness point, one of the bards of the palace begins apprisal about the deadly battles where she assumes her husband fell during battle, and she then falls to the ground weeping and mourning the absence of her husband, Odysseus. It takes the leadership and mannish presence of her son, T elemach...